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Modern States, Ancient Nations: Balkan National Pavilions at the Paris World Exhibitions in the Twentieth Century
(Athens : The Athens Institute for Education and Research, 2011)
The 1900 Paris World Exhibition in particular seems highly elucidating. Simultaneously referring to the nation's 'glorious past' and contemporary modernity, the ephemeral pavilions of Serbia, Greece, Bulgaria and Romania ...
Legacy of the Triad: Architecture in Medieval Serbia between Style and Ideology in the Work of Aleksandar Deroko
(Belgrade : University of Belgrade, Faculty of ArchitectureBelgrade : The Centre for Ethics, Law and Applied Philosophy, 2019)
Despite criticism that has been leveled against Gabriel Millet's well-known tripartite subdivision of architecture of medieval Serbia into three distinct 'schools', its scholarly authority still remains largely unchallenged. ...
Transformations of the Slavija Square in Belgrade: History, Memory and Construction od Identity = Preobražaj trga Slavija u Beogradu: istorija, sećanje i konstrukcija identiteta
(Beograd : Kulturklammer - Centar za kulturne interakcije, 2012)
Despite the fact that it represents an urban focal point of the city, Slavija Square has remained a paradigm of ideological and physical marginality in Belgrade's recent history. It's complex ideological heritage, the ...
Negotiating National Prospects by Capturing the Medieval Past: Byzantium in Serbian Architectural History at the Turn of the 20th Century
(Mainz : Verlag des Römisch-Germanischen Zentralmuseums, 2018)
The truism that the birth of the discipline of architectural history in Serbia was entwined with national emancipation and the construction of an authentic national identity is questioned by the position of the Byzantine ...
Images of Imperial Legacy: Modern Discourses on the Social and Cultural Impact of Ottoman and Habsburg Rule in Southeastern Europe. Studien zur Geschichte, Kultur und Gesellschaft Südosteuropas
(London: Modern Humanities Research AssociationSchool of Slavonic and East European Studies, University College London, 2012)
Interpreting legacy as a system of signs and images, this volume questions the notions of ‘backwardness’ or ‘progress’, which undoubtedly have marked the common perception of the Ottoman and Habsburg heritage in Southeast ...
Orthodox Christianity and Nationalism in Nineteenth-Century Southeastern Europe
(London: Modern Humanities Research AssociationSchool of Slavonic and East European Studies, University College London, 2016)
It is often presumed that ecclesiastical autocephaly and national independence
worked together in South-Eastern Europe. But the paths of ecclesiastical and
political independence for Greeks and Serbs, Romanians and ...
U zemlji uobrazilje: Bosanski pejzaži Jovana Bijelića 1929-1941
(Нови Сад : Галерија Матице српске, 2015)
Duga tradicija tumačenja pejzaža Jovana Bijelića, koji su tematski vezani za Bosnu označila ih je kao nostalgične ali sasvim arbitrarne konstrukcije realnosti, kao plod umetnikove personalne imaginacije. Noseći u sebi ...
Dve kule: uspon, hibris i pad
(Beograd : Univerzitet u Beogradu - Filozofski fakultet, 2013)
Rad razmatra na koji način su se različiti ideološki sistemi uprostoravali kroz arhitektonsku predstavu kule u istorijskom centru Beogradu. Fokus predstavljaju dva solitera podignuta duž središnje saobraćajne, komercijalne ...
Mit o Trojanskom konju: 'Beogradska škola arhitekture'
(Beograd: Orion ArtBeograd: Katedra za muzikologiju Fakulteta muzičke umetnosti, 2012)
U nizu različitih poetika na arhitektonskoj sceni u Srbiji nakon Drugog svetskog rata, posebno mesto pripalo je takozvanoj beogradskoj školi arhitekture kao lokalnom obliku jugoslovenske moderne arhitekture. Kritičari, ...
The Museum Building
(Belgrade: National Museum, 2011)
The Prince Paul Museum in Belgrade (1935-1941), opened in a former royal residence of the late King Alexander I Karadjordjević, was a prime example of the Kingdom of Yugoslavia's representative culture. The supposed principal ...