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Transformations of the Slavija Square in Belgrade: History, Memory and Construction od Identity = Preobražaj trga Slavija u Beogradu: istorija, sećanje i konstrukcija identiteta
(Beograd : Kulturklammer - Centar za kulturne interakcije, 2012)
Despite the fact that it represents an urban focal point of the city, Slavija Square has remained a paradigm of ideological and physical marginality in Belgrade's recent history. It's complex ideological heritage, the ...
Translatio Imperii Revisited in the Balkans: Interpretation of Serbian Past and Imperial Imagination, 1878-1941
(Brussels: Academia BelgicaRome: Institut Historique Belge de Rome/Belgisch Historisch Instituut te Rome, 2018)
Over the course of the late nineteenth and early twentieth century, Serbian scholarship developed not only a highly ambiguous and complex model of perception of the Eastern Roman Empire, but it also evinced a sense of ...
Competing Byzantinisms: The Architectural Imaginations of the Balkan Nations at the Paris World Exhibition in 1900
(Paris: L'Harmattan, 2015)
The 1900 Exposition Universelle in Paris, where most of the Christian nation states of the Balkans erected their own national pavilions to resemble what each nation understood as a
Byzantine-related national style, was ...
Tranzicija i reforme: arhitektura u Srbiji 1952-1980
(Beograd : Orion artBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2012)
Pozicija arhitekture u Srbiji u kontekstu politike i ideologije jugoslovenskog i srpskog društva u periodu izmedju uvodjenja radničkog samoupravljanja i smrti Josipa Broza Tita može ukazati kako na mehanizme kojima se ...
Poricanje i obnova: arhitektura postmodernizma 1980-1991
(Beograd : Orion artBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2010)
U devetoj deceniji XX veka, arhitektura u Srbiji je simultano sa drugim kulturalnim praksama, konstituisala diskurs kritike, preispitivanja i opovrgavanja kulture modernosti (sa čitavim nizom tradicija i vrednosti) koji ...
Straddling the National Divide: Yugoslavism, Furore Orientalis and Ivan Meštrović's Vidovdan Temple (1906-1913)
(Zagreb : Faculty of Humanities and Social Sciences, University of Zagreb, 2016)
Modern interpretations of the Vidovdan Temple (1906-1913), the fundamental artwork associated with the Yugoslav project, have seen it as a symbol of multicultural, synthetic Yugoslavism. Yet these readings seem to be, to ...
National Unity through Regional Diversity: Architecture as Political Reform in Yugoslavia, 1929-1941
(Brussels: Koninklijke Vlaamse Academie van Belgie voor Wetenschappen en Kunsten & Contactforum, 2012)
When in 1929 King Alexander I Karadjordjević dissolved the parliament and abolished the constitution of the Kingdom of Serbs, Croats and Slovenes, it was only the final act in a long lasting political drama which had started ...
The Museum Building
(Belgrade: National Museum, 2011)
The Prince Paul Museum in Belgrade (1935-1941), opened in a former royal residence of the late King Alexander I Karadjordjević, was a prime example of the Kingdom of Yugoslavia's representative culture. The supposed principal ...
Nemogući toposi: arhitektonske imaginacije nacionalne utopije
(Beograd : Orion ArtBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2010)
Prvu polovinu XX veka u Srbiji obeležili su složena društvena dešavanja i politička tranzicija u kojoj se Kraljevina Srbija 1918. godine pretopila u Kraljevinu Srba, Hrvata i Slovenaca (od 1929. godine Kraljevinu Jugoslaviju), ...
Paradoxes of a Cultural Divide: European Identities and the Appropriation of Byzantine Architecture in the 19 and 20th Century
(Manchester, New Hampshire and Athens, Greece: Hellenic American University, 2016)
Since the beginning of the nineteenth century, many Western European nations have been historicized through a variety of disciplinary regimes—from political and cultural history, to archaeology and architectural history. ...