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Architectural Metamorphoses of National Memory: 'Lazarica' in Dalmatian Kosovo, 1889-1939
(Belgrade: Faculty of Philosophy, University of BelgradeNegev: Ben-Gurion University and Moshe David Gaon Center for Ladino Culture, 2017)
In 1889, on the occasion of celebrating the 500th anniversary of the Kosovo Battle (Vidovdan), the local Serbian Orthodox community of Habsburg Dalmatia built a church dedicated to Saint Lazar. While the church’s architectural ...
Peripheral Empire, Internal Colony: Yugoslav National Pavilions at the Paris World Exhibitions in 1925 and 1937
(New York : Centropa, 2008)
National pavilions of the Kingdom of Yugoslavia at the Paris World Exhibitions in 1925 and 1937 were conceived to represent the new state and its culture as both prosperous and authentic. Elaborated exhibition policy ...
Modern States, Ancient Nations: Balkan National Pavilions at the Paris World Exhibitions in the Twentieth Century
(Athens : The Athens Institute for Education and Research, 2011)
The 1900 Paris World Exhibition in particular seems highly elucidating. Simultaneously referring to the nation's 'glorious past' and contemporary modernity, the ephemeral pavilions of Serbia, Greece, Bulgaria and Romania ...
Images of Imperial Legacy: Modern Discourses on the Social and Cultural Impact of Ottoman and Habsburg Rule in Southeastern Europe. Studien zur Geschichte, Kultur und Gesellschaft Südosteuropas
(London: Modern Humanities Research AssociationSchool of Slavonic and East European Studies, University College London, 2012)
Interpreting legacy as a system of signs and images, this volume questions the notions of ‘backwardness’ or ‘progress’, which undoubtedly have marked the common perception of the Ottoman and Habsburg heritage in Southeast ...
Periferna imperija, unutrašnja kolonizacija: jedan istorijski primer
(Sarajevo : Gradska galerija Collegium artisticum, 2008)
Istraživanje arhitektonske reprezentacije Kraljevine Jugoslavije na svetskim izložbama u Parizu između dva svetska rata tavori na marginama istoriografije. Jugoslovenski izložbeni paviljoni uglavnom su uzimani u razmatranje ...
Translatio Imperii Revisited in the Balkans: Interpretation of Serbian Past and Imperial Imagination, 1878-1941
(Brussels: Academia BelgicaRome: Institut Historique Belge de Rome/Belgisch Historisch Instituut te Rome, 2018)
Over the course of the late nineteenth and early twentieth century, Serbian scholarship developed not only a highly ambiguous and complex model of perception of the Eastern Roman Empire, but it also evinced a sense of ...
Competing Byzantinisms: The Architectural Imaginations of the Balkan Nations at the Paris World Exhibition in 1900
(Paris: L'Harmattan, 2015)
The 1900 Exposition Universelle in Paris, where most of the Christian nation states of the Balkans erected their own national pavilions to resemble what each nation understood as a
Byzantine-related national style, was ...
U srpsko-vizantijskom kaleidoskopu: Arhitektura, nacionalizam i imperijalna imaginacija 1878-1941
(Beograd: Orion ArtUniverzitet u Beogradu - Arhitektonski fakultet, 2016)
Uprkos značaju teme srpsko-vizantijskih odnosa u nacionalnoj istoriografiji, i popularnosti „Vizantije” u istorijskoj imaginaciji, diskurzivna konstrukcija Vizantije u srpskom nacionalnom narativu je do sada ostala gotovo ...
Sanjana prošlost, zamišljena budućnost: Arhitektura i nacionalni identitet u Srbiji 1918-1941
(Beograd : Orion artBeograd : Fakultet muzičke umetnosti, Katedra za muzikologiju, 2014)
U periodu izmedju dva svetska rata arhitektonska kultura u Jugoslaviji predstavljala je sastavni deo složenog i razudjenog ideološkog pejzaža. Medju srpskim elitama, arhitektura je bila uključena u kompleks pitanja ne samo ...
Vizija identiteta i model kulture: Srpske pravoslavne crkve izvan granica Srbije 1918-1941
(Zagreb : Disput, 2007)
U procesu konstituisanja srpskog nacionalnog identiteta, kao i ideologije srpskog nacionalizma nakon jugoslovenskog "oslobođenja i ujedinjenja" 1918. godine, posebno su bile značajne različite konstrukcije istorijskih ...