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Vidovdanski hram Ivana Meštrovića, stvaranje Jugoslavije i paradoksi nacionalizma
(Beograd: Muzej Jugoslavije, 2018)
Vidovdanski hram (1906-1913) skulptora Ivana Meštrovića, nekadašnje ubojito oružje Kraljevine Srbije u borbama za oslobođenje i ujedinjenje Južnih Slovena i glavni simbolički instrument u procesu stvaranja Jugoslavije, ...
Architecture, Urban Development, and the Yugoslavization of Belgrade, 1850-1941
(New York : Centropa, 2009)
This article is focused on the relation between the representative architectural culture of Belgrade and the ideology of Yugoslavism between 1918 and 1941, a period that spans the life of the first Yugoslav state, and is ...
National Unity through Regional Diversity: Architecture as Political Reform in Yugoslavia, 1929-1941
(Brussels: Koninklijke Vlaamse Academie van Belgie voor Wetenschappen en Kunsten & Contactforum, 2012)
When in 1929 King Alexander I Karadjordjević dissolved the parliament and abolished the constitution of the Kingdom of Serbs, Croats and Slovenes, it was only the final act in a long lasting political drama which had started ...
Straddling the National Divide: Yugoslavism, Furore Orientalis and Ivan Meštrović's Vidovdan Temple (1906-1913)
(Zagreb : Faculty of Humanities and Social Sciences, University of Zagreb, 2016)
Modern interpretations of the Vidovdan Temple (1906-1913), the fundamental artwork associated with the Yugoslav project, have seen it as a symbol of multicultural, synthetic Yugoslavism. Yet these readings seem to be, to ...
Između ’univerzalnog’ i ’autentičnog’: O arhitekturi Ratničkog doma u Beogradu
(Beograd : Muzej grada Beograda, 2005)
The Warrior’s Home in Belgrade, for which an architectural competition was organized in the spring of 1929 and which was built two years later according to the project made by Belgrade architects Jovan Jovanović and Živojin ...
Peripheral Empire, Internal Colony: Yugoslav National Pavilions at the Paris World Exhibitions in 1925 and 1937
(New York : Centropa, 2008)
National pavilions of the Kingdom of Yugoslavia at the Paris World Exhibitions in 1925 and 1937 were conceived to represent the new state and its culture as both prosperous and authentic. Elaborated exhibition policy ...
Arhitektura Novog dvora i Muzej kneza Pavla
(Beograd : Narodni muzej, 2009)
Otvoren 1935. godine, Muzej kneza Pavla u Beogradu, prestonici Kraljevine Jugoslavije, bio je reprezentativan nacionalni muzej u kome su bila izložena vrhunska ostvarenja jugoslovenske i evropske umetnosti i materijalne ...
Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism
(Cambridge University Press, 2014)
This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and ...
Sanjana prošlost, zamišljena budućnost: Arhitektura i nacionalni identitet u Srbiji 1918-1941
(Beograd : Orion artBeograd : Fakultet muzičke umetnosti, Katedra za muzikologiju, 2014)
U periodu izmedju dva svetska rata arhitektonska kultura u Jugoslaviji predstavljala je sastavni deo složenog i razudjenog ideološkog pejzaža. Medju srpskim elitama, arhitektura je bila uključena u kompleks pitanja ne samo ...
The Bridge of King Alexander I in Belgrade and the Ambiguities of National Identity in Interwar Yugoslavia
(Cambridge University Press, 2024)
In the period between the proclamation of royal dictatorship and the assassination of King Alexander I, the Kingdom of Yugoslavia was characterised by the dynamics of competing visions of Yugoslavism. Questions concerning ...