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Straddling the National Divide: Appropriated Pasts, Inverted Archaeologies, and Byzantine Architecture in Europe, 1878-1939
(Dublin: University College Dublin - School of Art History and Cultural Policy, 2016)
Although the “French Byzantine architecture” was methodically invented by nineteenth century historians, and revived by architects to distinguish the French from other European nations, it was the same nexus between the ...
Srednjoevropski kontekst u ranom delu Dragiše Brašovana
(Beograd : Muzej grada Beograda, 2003)
Dragiša Brašovan’s early architectural work is related to the cultural developments that were a direct reflection of the Central European social and political context in the first decades of the twentieth century. That was ...
Politika predstavljanja jugoslovenstva: Jugoslovenski paviljon na Svetskoj izložbi u Parizu 1937. godine
(Beograd: Udruženje za društvenu istorijuBeograd: Univerzitet u Beogradu - Filozofski fakultet, 2006)
Tekst govori o ideološkoj ulozi arhitektrure Jugoslovenskog paviljona na Svetskoj izložbi u Parizu 1937. godine. Prostorni, formalni i semiotički aspekti nacionalnog paviljona funkcionisali su kao deo opšteg sistema ...
Straddling the National Divide: Yugoslavism, Furore Orientalis and Ivan Meštrović's Vidovdan Temple (1906-1913)
(Zagreb : Faculty of Humanities and Social Sciences, University of Zagreb, 2016)
Modern interpretations of the Vidovdan Temple (1906-1913), the fundamental artwork associated with the Yugoslav project, have seen it as a symbol of multicultural, synthetic Yugoslavism. Yet these readings seem to be, to ...
Architecture, Urban Development, and the Yugoslavization of Belgrade, 1850-1941
(New York : Centropa, 2009)
This article is focused on the relation between the representative architectural culture of Belgrade and the ideology of Yugoslavism between 1918 and 1941, a period that spans the life of the first Yugoslav state, and is ...
National Unity through Regional Diversity: Architecture as Political Reform in Yugoslavia, 1929-1941
(Brussels: Koninklijke Vlaamse Academie van Belgie voor Wetenschappen en Kunsten & Contactforum, 2012)
When in 1929 King Alexander I Karadjordjević dissolved the parliament and abolished the constitution of the Kingdom of Serbs, Croats and Slovenes, it was only the final act in a long lasting political drama which had started ...
The Museum Building
(Belgrade: National Museum, 2011)
The Prince Paul Museum in Belgrade (1935-1941), opened in a former royal residence of the late King Alexander I Karadjordjević, was a prime example of the Kingdom of Yugoslavia's representative culture. The supposed principal ...
Između ’univerzalnog’ i ’autentičnog’: O arhitekturi Ratničkog doma u Beogradu
(Beograd : Muzej grada Beograda, 2005)
The Warrior’s Home in Belgrade, for which an architectural competition was organized in the spring of 1929 and which was built two years later according to the project made by Belgrade architects Jovan Jovanović and Živojin ...
Between the Sceptre and the Key: National Identity and Architectural Heritage in Belgrade and Serbia, in the Nineteenth and the First Half of the Twentieth Century
(Belgrade : Cultural Heritage Preservation Institute of Belgrade, 2008)
The process of the formation of Serbian national identity is characterized by certain duality – the search for national authenticity and specificity coupled with the desire to find place in the family of European nations. ...
Dom Udruženja jugoslovenskih inženjera i arhitekata u Beogradu
(Београд : Завод за заштиту споменика културе града Београда, 2006)
The central headquarters of the national organization ‘Association of Engineers and Architects of Yugoslavia’ (UIJA) – the work of the architects Misa Manojlovic and Isak Azriel, built between 1933 and 1935 in Kneza Milosa ...