Search
Now showing items 1-10 of 39
Prostori selektovanih memorija: Staro sajmište u Beogradu i sećanje na Drugi svetski rat
(Zagreb : Disput, 2008)
Memories of the WWII are crucial to process of forging Serbian national identity. Respectable parts of this process are places of commemoration of the WWII. These are essential not only for constructing and transforming ...
Dom Udruženja jugoslovenskih inženjera i arhitekata u Beogradu
(Београд : Завод за заштиту споменика културе града Београда, 2006)
The central headquarters of the national organization ‘Association of Engineers and Architects of Yugoslavia’ (UIJA) – the work of the architects Misa Manojlovic and Isak Azriel, built between 1933 and 1935 in Kneza Milosa ...
Između ’univerzalnog’ i ’autentičnog’: O arhitekturi Ratničkog doma u Beogradu
(Beograd : Muzej grada Beograda, 2005)
The Warrior’s Home in Belgrade, for which an architectural competition was organized in the spring of 1929 and which was built two years later according to the project made by Belgrade architects Jovan Jovanović and Živojin ...
Yugoslavism through the Syntax of Classicism: WWI Memorials in Belgrade and Ljubljana, 1931-1939
(Ljubljana : Department of Art History, Faculty of Arts, University of Ljubljana, 2018)
Unlike most of the post-WWI newly established and old nation-states, the multiethnic Kingdom of Serbs, Croats and Slovenes (from 1929 the Kingdom of Yugoslavia) had its own ideological raison d'être in the idea of a ...
Architecture, Urban Development, and the Yugoslavization of Belgrade, 1850-1941
(New York : Centropa, 2009)
This article is focused on the relation between the representative architectural culture of Belgrade and the ideology of Yugoslavism between 1918 and 1941, a period that spans the life of the first Yugoslav state, and is ...
Straddling the National Divide: Yugoslavism, Furore Orientalis and Ivan Meštrović's Vidovdan Temple (1906-1913)
(Zagreb : Faculty of Humanities and Social Sciences, University of Zagreb, 2016)
Modern interpretations of the Vidovdan Temple (1906-1913), the fundamental artwork associated with the Yugoslav project, have seen it as a symbol of multicultural, synthetic Yugoslavism. Yet these readings seem to be, to ...
Olga Manojlović Pintar: Arheologija sećanja: Spomenici i identiteti u Srbiji 1918-1989, Čigoja i Udruženje za društvenu istoriju, Beograd 2014
(Novi Sad: Matica srpska, 2015)
Arheologija sećanja, predstavlja prvu celovitu studiju o problemu spomenika kao mestu izgradnje i razgradnje spomeničke kulture koja kroz konzistentan i samorefleksivan teorijski fokus postavlja i rešava mnoga važna pitanja ...
Semiotics and urban culture: architectural projections of structuralism in a socialist context
(Routledge, 2018)
The paper studies the relations between architecture, urbanism and structural anthropology, and makes a contribution to the interpretation of how the architects of former Yugoslavia translated structuralism into architectural ...
Sanjana prošlost, zamišljena budućnost: Arhitektura i nacionalni identitet u Srbiji 1918-1941
(Beograd : Orion artBeograd : Fakultet muzičke umetnosti, Katedra za muzikologiju, 2014)
U periodu izmedju dva svetska rata arhitektonska kultura u Jugoslaviji predstavljala je sastavni deo složenog i razudjenog ideološkog pejzaža. Medju srpskim elitama, arhitektura je bila uključena u kompleks pitanja ne samo ...
Između žezla i ključa: nacionalni identitet i arhitektonsko nasleđe Beograda i Srbije u 19. i prvoj polovini 20. veka
(Beograd : Zavod za zaštitu spomenika kulture grada Beograda, 2008)
The formation of Serbian national identity is characterized by duality – the search for national authenticity and specificity coupled with the desire to find place in the family of European nations. This process can be ...