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Prostori selektovanih memorija: Staro sajmište u Beogradu i sećanje na Drugi svetski rat
(Zagreb : Disput, 2008)
Memories of the WWII are crucial to process of forging Serbian national identity. Respectable parts of this process are places of commemoration of the WWII. These are essential not only for constructing and transforming ...
Između ’univerzalnog’ i ’autentičnog’: O arhitekturi Ratničkog doma u Beogradu
(Beograd : Muzej grada Beograda, 2005)
The Warrior’s Home in Belgrade, for which an architectural competition was organized in the spring of 1929 and which was built two years later according to the project made by Belgrade architects Jovan Jovanović and Živojin ...
Architecture, Urban Development, and the Yugoslavization of Belgrade, 1850-1941
(New York : Centropa, 2009)
This article is focused on the relation between the representative architectural culture of Belgrade and the ideology of Yugoslavism between 1918 and 1941, a period that spans the life of the first Yugoslav state, and is ...
Architectural Metamorphoses of National Memory: 'Lazarica' in Dalmatian Kosovo, 1889-1939
(Belgrade: Faculty of Philosophy, University of BelgradeNegev: Ben-Gurion University and Moshe David Gaon Center for Ladino Culture, 2017)
In 1889, on the occasion of celebrating the 500th anniversary of the Kosovo Battle (Vidovdan), the local Serbian Orthodox community of Habsburg Dalmatia built a church dedicated to Saint Lazar. While the church’s architectural ...
Vidovdanski hram Ivana Meštrovića, stvaranje Jugoslavije i paradoksi nacionalizma
(Beograd: Muzej Jugoslavije, 2018)
Vidovdanski hram (1906-1913) skulptora Ivana Meštrovića, nekadašnje ubojito oružje Kraljevine Srbije u borbama za oslobođenje i ujedinjenje Južnih Slovena i glavni simbolički instrument u procesu stvaranja Jugoslavije, ...
Straddling the National Divide: Yugoslavism, Furore Orientalis and Ivan Meštrović's Vidovdan Temple (1906-1913)
(Zagreb : Faculty of Humanities and Social Sciences, University of Zagreb, 2016)
Modern interpretations of the Vidovdan Temple (1906-1913), the fundamental artwork associated with the Yugoslav project, have seen it as a symbol of multicultural, synthetic Yugoslavism. Yet these readings seem to be, to ...
Between the Sceptre and the Key: National Identity and Architectural Heritage in Belgrade and Serbia, in the Nineteenth and the First Half of the Twentieth Century
(Belgrade : Cultural Heritage Preservation Institute of Belgrade, 2008)
The process of the formation of Serbian national identity is characterized by certain duality – the search for national authenticity and specificity coupled with the desire to find place in the family of European nations. ...
National Unity through Regional Diversity: Architecture as Political Reform in Yugoslavia, 1929-1941
(Brussels: Koninklijke Vlaamse Academie van Belgie voor Wetenschappen en Kunsten & Contactforum, 2012)
When in 1929 King Alexander I Karadjordjević dissolved the parliament and abolished the constitution of the Kingdom of Serbs, Croats and Slovenes, it was only the final act in a long lasting political drama which had started ...
Iza zastora jugoslovenske federalizacije: Aleksandar Deroko i dijalektika identiteta u arhitekturi srednjovekovne Srbije
(Beograd : Udruženje za društvenu istorijuBeograd : Univerzitet u Beogradu - Filozofski fakultet, 2018)
U drugoj polovini XX veka najveća zasluga u istraživanju i popularizaciji arhitekture srednjovekovne Srbije, na osnovama koje je postavio francuski vizantolog Gabrijel Mije, nesumnjivo pripada knjizi Aleksandra Deroka ...
Sanjana prošlost, zamišljena budućnost: Arhitektura i nacionalni identitet u Srbiji 1918-1941
(Beograd : Orion artBeograd : Fakultet muzičke umetnosti, Katedra za muzikologiju, 2014)
U periodu izmedju dva svetska rata arhitektonska kultura u Jugoslaviji predstavljala je sastavni deo složenog i razudjenog ideološkog pejzaža. Medju srpskim elitama, arhitektura je bila uključena u kompleks pitanja ne samo ...