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Između ’univerzalnog’ i ’autentičnog’: O arhitekturi Ratničkog doma u Beogradu
(Beograd : Muzej grada Beograda, 2005)
The Warrior’s Home in Belgrade, for which an architectural competition was organized in the spring of 1929 and which was built two years later according to the project made by Belgrade architects Jovan Jovanović and Živojin ...
Architecture, Urban Development, and the Yugoslavization of Belgrade, 1850-1941
(New York : Centropa, 2009)
This article is focused on the relation between the representative architectural culture of Belgrade and the ideology of Yugoslavism between 1918 and 1941, a period that spans the life of the first Yugoslav state, and is ...
Between the Sceptre and the Key: National Identity and Architectural Heritage in Belgrade and Serbia, in the Nineteenth and the First Half of the Twentieth Century
(Belgrade : Cultural Heritage Preservation Institute of Belgrade, 2008)
The process of the formation of Serbian national identity is characterized by certain duality – the search for national authenticity and specificity coupled with the desire to find place in the family of European nations. ...
Architectural Metamorphoses of National Memory: 'Lazarica' in Dalmatian Kosovo, 1889-1939
(Belgrade: Faculty of Philosophy, University of BelgradeNegev: Ben-Gurion University and Moshe David Gaon Center for Ladino Culture, 2017)
In 1889, on the occasion of celebrating the 500th anniversary of the Kosovo Battle (Vidovdan), the local Serbian Orthodox community of Habsburg Dalmatia built a church dedicated to Saint Lazar. While the church’s architectural ...
Arhitektura Novog dvora i Muzej kneza Pavla
(Beograd : Narodni muzej, 2009)
Otvoren 1935. godine, Muzej kneza Pavla u Beogradu, prestonici Kraljevine Jugoslavije, bio je reprezentativan nacionalni muzej u kome su bila izložena vrhunska ostvarenja jugoslovenske i evropske umetnosti i materijalne ...
Modern States, Ancient Nations: Balkan National Pavilions at the Paris World Exhibitions in the Twentieth Century
(Athens : The Athens Institute for Education and Research, 2011)
The 1900 Paris World Exhibition in particular seems highly elucidating. Simultaneously referring to the nation's 'glorious past' and contemporary modernity, the ephemeral pavilions of Serbia, Greece, Bulgaria and Romania ...
Испред византијског пурпура: визуелизација нације на другом византолошком конгресу у Београду 1927. године / In front of the byzantine purple: visualization of the nation at the 2nd international congress of byzantine studies in Belgrade in 1927
(Novi Sad: Matica srpska, 2018)
Despite the development of Byzantine studies in the field of art and architecture in the early twentieth-century Balkans, the complex historical status and ideological relevance of Byzantium remained in both historiography ...
Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism
(Cambridge University Press, 2014)
This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and ...
Negotiating National Prospects by Capturing the Medieval Past: Byzantium in Serbian Architectural History at the Turn of the 20th Century
(Mainz : Verlag des Römisch-Germanischen Zentralmuseums, 2018)
The truism that the birth of the discipline of architectural history in Serbia was entwined with national emancipation and the construction of an authentic national identity is questioned by the position of the Byzantine ...
Vidovdanski hram Ivana Meštrovića, stvaranje Jugoslavije i paradoksi nacionalizma
(Beograd: Muzej Jugoslavije, 2018)
Vidovdanski hram (1906-1913) skulptora Ivana Meštrovića, nekadašnje ubojito oružje Kraljevine Srbije u borbama za oslobođenje i ujedinjenje Južnih Slovena i glavni simbolički instrument u procesu stvaranja Jugoslavije, ...