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Legacy of the Triad: Architecture in Medieval Serbia between Style and Ideology in the Work of Aleksandar Deroko
(Belgrade : University of Belgrade, Faculty of ArchitectureBelgrade : The Centre for Ethics, Law and Applied Philosophy, 2019)
Despite criticism that has been leveled against Gabriel Millet's well-known tripartite subdivision of architecture of medieval Serbia into three distinct 'schools', its scholarly authority still remains largely unchallenged. ...
Transformations of the Slavija Square in Belgrade: History, Memory and Construction od Identity = Preobražaj trga Slavija u Beogradu: istorija, sećanje i konstrukcija identiteta
(Beograd : Kulturklammer - Centar za kulturne interakcije, 2012)
Despite the fact that it represents an urban focal point of the city, Slavija Square has remained a paradigm of ideological and physical marginality in Belgrade's recent history. It's complex ideological heritage, the ...
Translatio Imperii Revisited in the Balkans: Interpretation of Serbian Past and Imperial Imagination, 1878-1941
(Brussels: Academia BelgicaRome: Institut Historique Belge de Rome/Belgisch Historisch Instituut te Rome, 2018)
Over the course of the late nineteenth and early twentieth century, Serbian scholarship developed not only a highly ambiguous and complex model of perception of the Eastern Roman Empire, but it also evinced a sense of ...
Competing Byzantinisms: The Architectural Imaginations of the Balkan Nations at the Paris World Exhibition in 1900
(Paris: L'Harmattan, 2015)
The 1900 Exposition Universelle in Paris, where most of the Christian nation states of the Balkans erected their own national pavilions to resemble what each nation understood as a
Byzantine-related national style, was ...
Peripheral Empire, Internal Colony: Yugoslav National Pavilions at the Paris World Exhibitions in 1925 and 1937
(New York : Centropa, 2008)
National pavilions of the Kingdom of Yugoslavia at the Paris World Exhibitions in 1925 and 1937 were conceived to represent the new state and its culture as both prosperous and authentic. Elaborated exhibition policy ...
Straddling the National Divide: Appropriated Pasts, Inverted Archaeologies, and Byzantine Architecture in Europe, 1878-1939
(Dublin: University College Dublin - School of Art History and Cultural Policy, 2016)
Although the “French Byzantine architecture” was methodically invented by nineteenth century historians, and revived by architects to distinguish the French from other European nations, it was the same nexus between the ...
National Museums in Serbia: A Story of Intertwined Identities
(Linköping: Linköping University Press, 2011)
In our paper, we are analyzing five museums as the comparative objects of research aimed at
exploring the processes of identity- and state-building in Serbia over the course of the last two
centuries. These museums are: ...
Kulturna invencija kao ideološka mimikrija: o ʻBosanskim pejzažimaʼ Jovana Bijelića 1919-1944
(Beograd : Univerzitet u Beogradu - Filozofski fakultet, 2016)
Tematski niz slika Jovana Bijelića poznat pod nazivom „Bosanski pejzaži” nastajao je kroz niz godina, počev od kraja druge pa sve do sredine pete decenije XX veka. Uprkos osvedočenim stilskim tranzicijama te formalnim i ...
Out of the Sands, to Span the Future: The Architectural Image of Yugoslav Socialism in Belgrade
(New York, N.Y. : Centropa, 2013)
After the the Second World War, the new socialist Yugoslavia was governed by the Communist Party which split with the Cominform in 1948, causing the country to embark on a long-lasting process of forging its own version ...
Redefinisanje sećanja (1)
(Beograd : Helsinški odbor za ljudska prava u Srbiji, 2008)
Kao najznačajni sadržaj kolektivnih identifikacija svih jugoslovenskih društava Drugi svetski rat, odnosno njegova tumačenja, predstavljala su osnovu na kojoj su vršena povlačenja granica društvenih identiteta, uspostavljani ...