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Straddling the National Divide: Yugoslavism, Furore Orientalis and Ivan Meštrović's Vidovdan Temple (1906-1913)
(Zagreb : Faculty of Humanities and Social Sciences, University of Zagreb, 2016)
Modern interpretations of the Vidovdan Temple (1906-1913), the fundamental artwork associated with the Yugoslav project, have seen it as a symbol of multicultural, synthetic Yugoslavism. Yet these readings seem to be, to ...
The Museum Building
(Belgrade: National Museum, 2011)
The Prince Paul Museum in Belgrade (1935-1941), opened in a former royal residence of the late King Alexander I Karadjordjević, was a prime example of the Kingdom of Yugoslavia's representative culture. The supposed principal ...
Negotiating National Prospects by Capturing the Medieval Past: Byzantium in Serbian Architectural History at the Turn of the 20th Century
(Mainz : Verlag des Römisch-Germanischen Zentralmuseums, 2018)
The truism that the birth of the discipline of architectural history in Serbia was entwined with national emancipation and the construction of an authentic national identity is questioned by the position of the Byzantine ...
Images of Imperial Legacy: Modern Discourses on the Social and Cultural Impact of Ottoman and Habsburg Rule in Southeastern Europe. Studien zur Geschichte, Kultur und Gesellschaft Südosteuropas
(London: Modern Humanities Research AssociationSchool of Slavonic and East European Studies, University College London, 2012)
Interpreting legacy as a system of signs and images, this volume questions the notions of ‘backwardness’ or ‘progress’, which undoubtedly have marked the common perception of the Ottoman and Habsburg heritage in Southeast ...
Orthodox Christianity and Nationalism in Nineteenth-Century Southeastern Europe
(London: Modern Humanities Research AssociationSchool of Slavonic and East European Studies, University College London, 2016)
It is often presumed that ecclesiastical autocephaly and national independence
worked together in South-Eastern Europe. But the paths of ecclesiastical and
political independence for Greeks and Serbs, Romanians and ...
Sanjana prošlost, zamišljena budućnost: Arhitektura i nacionalni identitet u Srbiji 1918-1941
(Beograd : Orion artBeograd : Fakultet muzičke umetnosti, Katedra za muzikologiju, 2014)
U periodu izmedju dva svetska rata arhitektonska kultura u Jugoslaviji predstavljala je sastavni deo složenog i razudjenog ideološkog pejzaža. Medju srpskim elitama, arhitektura je bila uključena u kompleks pitanja ne samo ...
Nemogući toposi: arhitektonske imaginacije nacionalne utopije
(Beograd : Orion ArtBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2010)
Prvu polovinu XX veka u Srbiji obeležili su složena društvena dešavanja i politička tranzicija u kojoj se Kraljevina Srbija 1918. godine pretopila u Kraljevinu Srba, Hrvata i Slovenaca (od 1929. godine Kraljevinu Jugoslaviju), ...
Tranzicija i reforme: arhitektura u Srbiji 1952-1980
(Beograd : Orion artBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2012)
Pozicija arhitekture u Srbiji u kontekstu politike i ideologije jugoslovenskog i srpskog društva u periodu izmedju uvodjenja radničkog samoupravljanja i smrti Josipa Broza Tita može ukazati kako na mehanizme kojima se ...
Poricanje i obnova: arhitektura postmodernizma 1980-1991
(Beograd : Orion artBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2010)
U devetoj deceniji XX veka, arhitektura u Srbiji je simultano sa drugim kulturalnim praksama, konstituisala diskurs kritike, preispitivanja i opovrgavanja kulture modernosti (sa čitavim nizom tradicija i vrednosti) koji ...
Mit o Trojanskom konju: 'Beogradska škola arhitekture'
(Beograd: Orion ArtBeograd: Katedra za muzikologiju Fakulteta muzičke umetnosti, 2012)
U nizu različitih poetika na arhitektonskoj sceni u Srbiji nakon Drugog svetskog rata, posebno mesto pripalo je takozvanoj beogradskoj školi arhitekture kao lokalnom obliku jugoslovenske moderne arhitekture. Kritičari, ...