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Negotiating National Prospects by Capturing the Medieval Past: Byzantium in Serbian Architectural History at the Turn of the 20th Century
(Mainz : Verlag des Römisch-Germanischen Zentralmuseums, 2018)
The truism that the birth of the discipline of architectural history in Serbia was entwined with national emancipation and the construction of an authentic national identity is questioned by the position of the Byzantine ...
Arhitektura Novog dvora i Muzej kneza Pavla
(Beograd : Narodni muzej, 2009)
Otvoren 1935. godine, Muzej kneza Pavla u Beogradu, prestonici Kraljevine Jugoslavije, bio je reprezentativan nacionalni muzej u kome su bila izložena vrhunska ostvarenja jugoslovenske i evropske umetnosti i materijalne ...
Transformations of the Slavija Square in Belgrade: History, Memory and Construction od Identity = Preobražaj trga Slavija u Beogradu: istorija, sećanje i konstrukcija identiteta
(Beograd : Kulturklammer - Centar za kulturne interakcije, 2012)
Despite the fact that it represents an urban focal point of the city, Slavija Square has remained a paradigm of ideological and physical marginality in Belgrade's recent history. It's complex ideological heritage, the ...
Translatio Imperii Revisited in the Balkans: Interpretation of Serbian Past and Imperial Imagination, 1878-1941
(Brussels: Academia BelgicaRome: Institut Historique Belge de Rome/Belgisch Historisch Instituut te Rome, 2018)
Over the course of the late nineteenth and early twentieth century, Serbian scholarship developed not only a highly ambiguous and complex model of perception of the Eastern Roman Empire, but it also evinced a sense of ...
Competing Byzantinisms: The Architectural Imaginations of the Balkan Nations at the Paris World Exhibition in 1900
(Paris: L'Harmattan, 2015)
The 1900 Exposition Universelle in Paris, where most of the Christian nation states of the Balkans erected their own national pavilions to resemble what each nation understood as a
Byzantine-related national style, was ...
Muzeji Beograda i koncept suočavanja sa prošlošću
(Beograd : Istorijski muzej Srbije = Belgrade : Historical Museum of Serbia, 2009)
"Mesta secanja", odnosno mesta prikazivanja i označavanja prošlosti, predstavljaju osnov oko koga se artikuliše kolektivno pamćenje i izgrađuju individualni i grupni identiteti. U njima se susreću brojni (ne retko čak i ...
Poricanje i obnova: arhitektura postmodernizma 1980-1991
(Beograd : Orion artBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2010)
U devetoj deceniji XX veka, arhitektura u Srbiji je simultano sa drugim kulturalnim praksama, konstituisala diskurs kritike, preispitivanja i opovrgavanja kulture modernosti (sa čitavim nizom tradicija i vrednosti) koji ...
National Unity through Regional Diversity: Architecture as Political Reform in Yugoslavia, 1929-1941
(Brussels: Koninklijke Vlaamse Academie van Belgie voor Wetenschappen en Kunsten & Contactforum, 2012)
When in 1929 King Alexander I Karadjordjević dissolved the parliament and abolished the constitution of the Kingdom of Serbs, Croats and Slovenes, it was only the final act in a long lasting political drama which had started ...
Prostori selektovanih memorija: Staro sajmište u Beogradu i sećanje na Drugi svetski rat
(Zagreb : Disput, 2008)
Memories of the WWII are crucial to process of forging Serbian national identity. Respectable parts of this process are places of commemoration of the WWII. These are essential not only for constructing and transforming ...
Nemogući toposi: arhitektonske imaginacije nacionalne utopije
(Beograd : Orion ArtBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2010)
Prvu polovinu XX veka u Srbiji obeležili su složena društvena dešavanja i politička tranzicija u kojoj se Kraljevina Srbija 1918. godine pretopila u Kraljevinu Srba, Hrvata i Slovenaca (od 1929. godine Kraljevinu Jugoslaviju), ...